These are the best books I read in 2020 for seven different categories, including Best Setting, Best Dialogue, Best Hero, and more! I’m handing out awards to my favourites!
Each year when I’m reading, I keep an eye out for the “best of” in various categories. The best heroines I encounter, the best heroes, the best book settings, etc. And then at the beginning of a new reading year, I look back at the old one to see which books took the award in each category.
I call it “Book Oscars.” Now that I’ve created The Book Lover’s Companion to track my reading habits, I’ll be listing these awards in the “yearly summary” section.
As is tradition, I’m also listing them here for you(: Please share your personal “Book Oscars” for your 2020 reading year in the comments below! (Yes, these Oscars are for books I read last year…I’m just a bit late in getting this post out!) You’ll find links to previous Book Oscar Awards at the end of this post.
Ever since I read that Francie Nolan and I share a Myers-Briggs personality type (INFJ), I was curious to read her story. A Tree Grows in Brooklyn is a bildungsroman, a story type I love because I find it fascinating to watch the protagonist grow up when their author ages them skillfully and believably. Through the eyes of her thoughtful, resilient heroine, Betty Smith showed me the tenement communities of early-1900s Brooklyn, and I was totally hooked on every page of this American classic.
Sidenote: I forget who suggested this, but someone recently mentioned that Netflix should’ve done Brooklyn for their darker, exploring-“issues,” girl-coming-of-age story instead of Anne with an E. Smart. I think that would’ve been a much better fit than contorting Anne of Green Gables to fit all the themes on their wish list.
Many of Dickens’s male protagonists are young men, but Clennam is a bit different since he’s already 40 when we meet him. His youth was bleak and he struggles to find his place after distancing himself from it. Nevertheless, he’s hopeful, kind-hearted, and humble–traits that make for a strong man, even though they aren’t the traits that typically get the most attention.
Ware is gifted at a couple of things, and one of them is her ability to create varied casts of characters. Her villains aren’t exactly hard to spot (I’m not sure if they’re meant to be), but it doesn’t make the story any less compelling. The villain in One By One feels very human and real, but you still get glimpses of “cold-hearted killer” peeking through which are appropriately chilling.
Porter’s novel is much more than a romance, but the love story does dominate the second half of the book. The interactions of Elnora and her love interest reminded me of the movie Ever After, where the heroine knows herself and knows her values, while the hero has a lot of maturing to do to catch up to her! I loved the backdrop for their unfolding story, too, with the lush Limberlost swamp of Indiana and the final scenes that play out at Mackinac Island in Michigan.
There’s a lot of conversation in this book, and at first glance it’s pretty ordinary. But, in her signature style, du Maurier sets up a situation where there’s more to the story than meets the eye. As the reader, you listen in on conversations and you’re not sure what–or whom–to believe. Whose motivations do you trust? Who’s in charge and who’s being manipulated? I had great fun sifting through the dialogue in this story looking for [potential] double meanings.
Although I don’t read much sci-fi, my husband has been urging me to read this one for years, based on its premise. Our favourite thing about it is the setting. Have you ever held two mirrors up to each other and looked inside? What you find is an infinite corridor as the mirrors endlessly reflect each other. It’s rather haunting. The Long Earth captures that feeling, with a string of infinite parallel Earths that you can access by a “stepping” device. Much of the novel–which is the first in a series–plays out as a travelogue, as the protagonists explore the limitless possibilities of a million new worlds.
Since I read a number of middle grade novels in 2020, I decided to give this its own award category again! The one that gets the Oscar is The Saturdays, which is just a fun, old-fashioned story with delightful characters and adventures. Enright has a knack for making her child characters three-dimensional and each unique from the other. This story is the first in her Melendy quartet which center around four siblings raised by their single dad.
Now I’d love to know: what books did you read last year that deserve Oscars?